When I needed to come up an idea for this summer’s short story contest I struggled to find a redemption story I wanted to tell. I thought first about choices that needed redemption. Next I thought about characters—who they were, what choices they made and what situations they found themselves in that required redemption. Both were fine but not the “Wow!” story I wanted.
Finally I thought of setting. One came to mind that would have lots of action and I could picture vividly. I knew the smells, the sights and the sounds. In my mind I wandered around my setting searching for my characters and their story I could tell.
Guess what? I found both of them, or maybe they found me.
The antagonist found me first, probably because he would have the most interactions with everyone else in this setting.
Other character’s started to introduce themselves and their stories to me. Then we worked together to find some action and discovers their disasters. I threw a few rocks at them to see how they reacted. They brushed off some like they were nothing. They didn’t respond the way I was hoping to others. I tossed a few more and together we found the right balance in character and action to bring a story I wanted to tell alive.
Fore me, these contests require a different creative process because my ideas need to conform to a preselected topic. Typically I come up with ideas, write down the ones I like and develop the ones I love. But in this situation, as with most contests and many freelance assignments, I’m forced myself to come up with something creative within the set guidelines. That is where the ability to apply any new ways of approach idea generation can be a godsend.
Where do you get ideas when they need to conform to specific parameters? I’m interested in what methods work for you, especially when you are under a deadline.